On Windows 10, the Duo-Capture driver installs automatically (no separate discs or downloads from Roland required), however I experienced a lot of driver instability on my first round of latency tests with this interface after the drivers installed (some tests straight-up failed while others took significantly longer or shorter to complete than expected). The UR22C brings you amazing sound quality in a remarkably compact, tough and … It does not lower latency… The U-Control UCA222 was the only interface that didn't have ASIO drivers, so I tested it as a Windows Audio device. The Clarett 2Pre USB is USB 2.0-only, although its connector is the small USB-C type, normally associated with newer standards. Here are the exceptions: For the Duo-Capture EX I had to use 144, 288, and 576 samples in the 128, 256, and 512 samples tests, respectively. Your particular MIDI + Audio application (this screenshot shows Cubase SX 3) may support various audio-interface … While the Audio Hub sports a pair of balanced main outputs, it only has unbalanced RCA-style inputs, so I had to use different audio cables when testing it from the ones I used with the other interfaces. Finally someone that does not sell nonsense.....I use Hauptwerk for organ emulation with a Dell E6420 (i7, W10) and Behringer 802 USB mixer with ASIO4ALL drivers. If your on board audio is a sound blaster XiFi that does have a native ASIO driver then it can operate at latencies comparable to USB interfaces. To compensate, the computer holds some of the incoming audio samples in a buffer, which is like an audio savings account: When the computer is so busy elsewhere that it can’t deal with audio, … (The USB and FW scores were always within 1ms of each other.). ◎Rock oN ⇒ UAC-2 @Unknown - Not sure why you'd want to do that, considering that your DN-X1700 IS an audio interface (when connected via USB). Luckily, the common power-of-2 values are among the offered values. In order to perform the latency tests at different buffer sizes I had to use the RME control panel to choose the new buffer size then "reload" the driver in the test tool before performing each round of tests. Comparing USB Audio Interface Latency on Windows 10. 2 x 2 USB 3.0 Audio Interface mit 2 x D-PRE und 32-Bit-/192-kHz-Unterstützung Das UR22C ist ein USB 3.0 Audio Interface mit zwei analogen Eingängen und zwei analogen Ausgängen. Orion32 HD は、Orion シリーズの最新モデルになります。HDX ポートまたは USB 3.0 を介してあらゆる DAW と互換性のある、この新しい Pro Tools HD/Native インターフェイスは、Antelope Audio … In recent years, RME has released an updated model, called the. I typically use it as a Firewire device, just to avoid possible USB contention in my studio. True to its reputation, the Fireface UFX performed the best in all tests, with its USB mode slightly scoring better than its FW mode every time. First and foremost, USB 3.0 offers greater bandwidth. When designing the iD interface range we wanted it to be compatible with as many systems as possible to ensure our renowned audio quality was available to as many users as possible. Theoretically a buffer size = 256 should lead to 5,8 ms + some overhead.It is a struggle to compromise between low latency and avoiding plops/clicks.Is the Behringer mixer better with its own drivers? I had to choose the nearest approximate buffer size for the comparative tests. With ADAT, MIDI, and complex mixing/routing software, this device is a strong competitor with the Clarett 2Pre in terms of flexibility and feature set. USB … ◎Amazon ⇒ UAC-2 Style Name:USB-C Audio Interface Record and compose music in studio quality on your computer or iPad with the rugged UR22C. 28x24 USB 3.0 audio interface with USB Type-C 32-bit integer / 384 kHz recording and playback AXR hybrid mic preamps with Rupert Neve Designs SILK 28x24 full matrix mixer Latency-free DSP … Despite having very similar-seeming driver and control panel to the Duo-Capture EX, the Tri-Capture lagged behind the other Roland interface in both tests where it competed. Focusrite support has this article, USB 2.0 vs USB 3.0, explaining why adding USB 3.0 to audio interfaces is pretty much pointless. Thunderbolt 3 has no latency benefit over Thunderbolt 1/2, just like USB 3.0 has no improvement in latency over USB 2.0. Considering that the Audio Hub 2x4 is really a Focusrite Scarlett interface in a Novation-branded box, its scores clearly demonstrate the poor performance of that generation of Scarlett interfaces on Windows. クラスコンプライアントのオーディオインターフェイスとして、iOSで使った場合、そこまでレイテンシーは小さくならないと思います。実測していないので分かりませんが、10~20msecのレイテンシーはあると思ったほうがいいでしょう。おそらく、ほかのオーディオインターフェイスを使うより、レイテンシーは小さいですが、その程度のレイテンシーというかディレイがかかった音がモニターされる、と考えるいいと思います。もっとも10msec程度であれば、3m離れたアンプから音を出しているのと同じ感覚なので、慣れれば演奏に支障はないと思いますが…。, DTM、デジタルレコーディング、DAW、MIDIといった分野の情報を紹介します。 初心者の入門用として、プロミュージシャンの実践術としても役立つ記事、製品レビューなどをお届けします。 According to TAKFAT's Low Latency Performance Rating, nothing currently beats a direct connection to the PCI/PCIe Bus 2. USB 3.0 port difficulties - If you have audio issues or latency only with USB 3.0 ports (USB 2.0 ports are working) or you only have USB 3.0 ports, see this section. Applies to: Scarlett Range, Clarett USB Range Lots of people are asking the question as to why many manufacturers do not produce interfaces that specifically utilise the USB 3.0 protocol. I have done interface performance tests several times before, but that was all on Windows 7 (and mostly on a now-10-year-old DAW PC), so I was recently curious how well some of today's USB audio interfaces perform on a newer computer with the latest version of Windows. Steinberg UR22C 2×2 USB 3.0 Audio Interface – Best 2 Channel USB-C Audio Interface Check Price on Amazon Steinberg UR22C is a 2-channel USB-C audio interface with industry … Test your audio device with another … Or could I better use a soundcard like Audient iD4? While most ASIO Windows drivers offer sample buffer sizes in powers of 2 (64 samples, 128 samples, 256 samples, etc), the Focusrite drivers strangely offer dozens and dozens of selectable sample buffers. The interfaces that didn't support all testable sample rates were the Duo Capture EX, the Tri-Capture, and the UCA222. Moukey USB 3.0 Audio Interface, Microphone Preamps, with 48V Phantom Power, 24 Bit, Support Smartphone, Tablet, Computer and Other Equipment Recording - MSc1 3.8 out of 5 stars 120 $74.88 … When it comes to speed, thunderbolt is the best professional audio interface even better than the USB 3 interface… ◎Amazon ⇒ UAC-8 HeyJust want advise, i have 2 SC3900 Denon cdjs and DN-X1700 mixer... Can i use a Novation USB 2x4 audio hub as a interface with my laptop. Es besitzt … This implies that you need an upgrade if you’re experiencing latency problems to support the audio interface. From wha… All test results are reported as round-trip time in milliseconds. Dieses USB Audio Interface war eines der ersten, das auf USB 3.0 zur Kommunikation mit dem Rechner setzte. ZOOMが出したUSB 3.0オーディオIF、UAC-2のレイテンシーが凄い UR22C 2 x 2 USB 3.0 audio interface No matter where you want to record, your projects should always sound great. USB 3.0で接続するには専用のUSB 3.0ケーブルが必要であり、PC側も青い色のUSB 3.0端子に接続することが必要。UAC-2にもUSB 3.0ケーブルが付属していますが、そもそも普通のUSB … 超低レイテンシーを実現するUAC-8はiOSでも大きな威力を発揮する!, この記事が気に入ったらDTMステーションのFacebookページに いいねしよう!, DTM、デジタルレコーディング、デジタルオーディオを中心に執筆するライター。インプレスのAV WatchでもDigital Audio Laboratoryを2001年より連載。「Cubase徹底操作ガイド」(リットーミュージック)、「ボーカロイド技術論」(ヤマハミュージックメディア)などの著書も多数ある。趣味は太陽光発電、2004年より自宅の電気を太陽光発電で賄うほか、現在3つの発電所を運用する発電所長でもある。, たまに楽しく拝見しています。 質問なのですが、レイテンシーが早い事は良く分かったのですが測定時に「設定はできるけどレコーディングでは使えないレベルのプチノイズ」などは発生していないのでしょうか?, 初めまして。いつも製品レビュー拝見させて頂いております。藤本様がご使用されました、zoomのオーディオインターフェイスUAC-2につきまして何点かお聞きしたいのですが、現在購入を検討しておりアコースティックギターを接続しiPad のDAWにてエフェクトかけライブ等でPAスピーカーから出力したいと考えおります。この場合レイテンシーの問題があるかと思いますが、この製品は非常にレイテンシーが低い製品なのですが実際ライブ会場で出力した場合、演奏には支障無い程度の遅延でしょうか?, こんにちは。UAC-2が低遅延で大きな威力を発揮するのは、ドライバとの組み合わせによってです。つまりWindowsやMacにドライバを入れて使った場合であり、USB (The other common sample rates were available.). The Focusrite Scarlett 2i2 is our favorite USB audio interface for musicians who want to record up to two tracks simultaneously onto a computer. Similarly, a 256-sample buffer in a 96kHz project would provide 256/96000, or 2.6ms latency. UAC-2はハーフラックのコンパクトな2IN/2OUTのオーディオインターフェイスです。ユニークなのは、これがUSB 3.0対応のオーディオインターフェイスである、という点。現在数多くのメーカーからオーディオインターフェイスが発売されていますが、いち早くUSB 3.0したのがUAC-2であり、現在もUSB 3.0対応のものは少ないので、ちょっと珍しい製品ともいえます。, UAC-2のリアパネル。バランス対応のステレオ出力とMIDI入出力のシンプルな構成, もっともUAC-2は絶対にUSB 3.0での接続が必要というわけではないのもちょっと面白いところ。そう黒いUSB 2.0端子に接続し、一般のUSB 2.0ケーブルで接続しても使うことができるんですよ。ただし、レイテンシーの面でギリギリまで追い込むのであれば、USB 3.0接続するほうが性能が出せるので、やはりUSB 3.0接続がお勧めであることは間違いありません。, お分かりになるでしょうか?192kHzのサンプリングレートにおいては1.24msec、96kHzで2.21msec、48kHzで3.31msec、44.1kHzで3.61msecと一般的なオーディオインターフェイスの半分程度の値を叩き出してくれています。, 「これ、どういう意味?」という方もいると思うので、改めてレイテンシーの測定について簡単に説明しておきましょう。ここで使ったのはCEntranceというメーカーが出しているWindows用のASIO Latency Test Ulitiltyというフリーウェア。誰でもダウンロードして使えるので、興味があればお手持ちのオーディオインターフェイスで試してみるといいと思います。, CubaseなどのDAWでもバッファサイズを設定するとレイテンシーが表示されますが、ここに表示されるのはあくまでも理論値。でも実際にはほかにもいろいろな要素があり、実際にはもっと遅れるので、それを実測するのがこのツールなんですね。これをテストするためには、入力と出力をケーブルで接続した上で「Measure!」ボタンを押して測るのですが、要するに出た信号が入ってくるまでどのくらいの時間がかかるのかを測定するわけです。つまりこれによって往復で何msecかかるのか、それが何サンプル分なのかを見ているわけです。, ちょっと話が難しくなりましたが、実際にDAWを使ってレコーディングしたり、ソフトウェア音源を鳴らす場合、オーディオインターフェイスのレイテンシーがある分、モニター音が遅れて出てきます。これが大きくなると、非常に気になって使いにくくなるので、レイテンシーはなるべく小さいものが望ましいのですが、どこまでレイテンシーを詰められるのかはメーカーの技術力次第。ここにはハードウェアの設計能力とドライバーの設計能力の両方が必要になってくるのですが、ZOOMはとっても優秀ということですね。, このCEntranceのツールがWindows専用で、Macでは試すことはできなかったのですが、ZOOMによれば、Macでもほぼ同等の性能を発揮してくれるとのこと。ただしMac版のCubaseで96kHzでの設定を確認してみると、入力レイテンシー、出力レイテンシーともに、Windows版とは少し異なる値にはなっているようでした。, 詳細は以前、私が書いているインプレスのAV Watchの連載記事「USBオーディオ伝送の違いで音が良くなる? Roundtrip latency in digital-audio applications is the amount of time it takes for a signal, such as a singing voice or a face-melting guitar solo, to get from an analog input on an audio interface, through … It includes the required USB cables, which is good, considering I did not already own any USB-C cables. This device is also a little unusual in that it only offers a low/high-gain toggle switch on the inputs rather than adjustable gain pots. ◎Rock oN ⇒ UAC-8 It is a great option for project studios. for each test. In the 64-samples and 128-samples tests the Clarett performs reasonably well, at least when compared to the Audio Hub. RME's drivers are a little bit odd in that they don't appear to advertise more than one sample buffer size at a time like most others do. Here are some comparisons between USB Nach wie vor bietet es in seiner Preisklasse eine sehr niedrige Latenz, gute … Firstly, although … Like most Behringer interfaces, the UCA222 does not require any special drivers or software; all modern versions of Windows recognize it as an audio recording/playback device. This can go up, especially if your computer is under heavy load, but in perfect production conditions, it … Thanks Chris, but: 1. tests, respectively. Apollo Solo USB 3 desktop audio interface for Windows gives you the classic sound of analog with powerful Realtime UAD-2 SOLO Processing, two Unison mic preamps, and best-in-class audio … The drivers of some of the devices did not offer as many buffer size options as others. (In the 64-sample test the Clarett's round-trip latency is almost one third of the Audio Hub's score.) PreSonus claims that this is the best interface for your budget. In those cases I've added a * by the name of the device in the tables and graphs. When I was reviewing the test results before I began writing this article, I was so surprised by the Clarett's scores that I re-connected it to my test system and ran all of the tests on the Clarett again- only to find that they were the same. 2. I can attest, that’s not far from the truth. Bulk Petはどんな技術なのか」で紹介しているので、そちらをご覧いただきたいのですが、ドライバ部分は日本の開発会社、インターフェイス株式会社とZOOMが共同開発を行っており、ここにBulk転送という方式を採用したことで実現していたんです(一般のオーディオインターフェイスはIsochronous転送が使われています)。ここでは、これ以上難しい話をするのは避けますが、こうした技術によって超低レイテンシーを実現していたのです。, その後Bulk Petと名付けられた技術のベースとなるBulk転送方式が用いられている, ややオカルトチックな話をすると、Bulk転送にすると音が少し変わって良くなるのだとか……! 18‐in/20‐out SuperSpeed USB 3.0 audio interface Standalone mode allows use as an 8-channel mic preamp and A/D or D/A converter without connection to a computer Support for recording and … At the end of the day they're just devices that do a better job of recording and playing back music than the built-in audio of most computers, but I almost spend more time experimenting with and writing about them than I do using them to make music. The Roland drivers are kind of weird in that they do not use powers-of-two buffer sizes, and their configuration control panel also has a number of non-standard options and metrics. Phenyx Pro USB Audio Interface Mixer, 4-Channel, 3-Band EQ, Echo Effects, Audio Mixer with Interface to PC for Music Recording, Ideal for Live Streaming, Recording (PTX-10) 4.3 out of 5 stars … From what I've read, this device's USB implementation is the same as what's used in Focusrite's "2nd Generation" Scarlett line of interfaces. Like with the Duo-Capture EX, the Tri-Capture's driver has some unusual options and non-standard sample buffer sizes. I rebooted my computer and re-tested the interface and didn't experience any instability at all, so that appeared to be a temporary issue. Switch to High-Speed (USB 2.0) mode in the Yamaha Steinberg USB Driver control panel. I own the first generation UFX, which has both USB 2 and Firewire support. I note the differences in the test results. Due to its logically arranged inputs and … The robust housing makes the interface … Zoom UAC-8 USB 3.0 Audio Interface TheUAC-8fromZoomis an 18x20 USB 3.0 audio interface that offers near zero latency and up to 24-bit/192 kHz resolution. Firstly, looking at the audio interface’s latency metrics will provide a clear impression as to the facts on whether it can truly perform, especially when it comes to providing minimal levels of audio latency. USB 3.0 improves upon this communication model and reduces transmission latency by minimizing polling and also allowing devices to transmit data as soon as it is ready. 1. Another great feature of the MOTU M2 is the meters, you actually have proper meters on this interface, rather than the ring or LED peak lights that you normally get on the lower budget audio interfaces. Buffer size 256 works, Hauptwerk tells the Latency = 16 ms. but gives a risk when I don't shut off Internet during playing organ. I may never fully understand my love for audio interfaces. Compatible with both Mac and PC, this 3rd-generation, 2-in/2-out interface boasts high-performance, … RSSのfeedはこちらです。, 数多くのオーディオインターフェイスが存在する中、とくにかく低レイテンシーを実現してくれるのが日本のメーカー、, USB 3.0で接続するには専用のUSB 3.0ケーブルが必要であり、PC側も青い色のUSB 3.0端子に接続することが必要。UAC-2にもUSB 3.0ケーブルが付属していますが、そもそも普通のUSB 2.0/1.1とは端子形状が異なるので、見るとわかりますね。, では、実際にどのくらいの性能が出せるのか。以前にもテストしたことがありましたが、最新のファームウェアである1.10にアップデートした上で試してみた結果が以下の通りです。, ところで、どうしてZOOMのUAC-2では、ほかのオーディオインターフェイスよりレイテンシーを小さくすることができるのでしょうか?実は、ここには他社とは少し違うテクノロジーを使っているからなのです。, なお、WindowsおよびMacで使う場合、ドライバのほかに、UAC-2 MixEfxというツールもインストールして利用します。これはUAC-2のすべての機能をコントロールすることができるソフトであり、入力部のHi-Z(ギター入力)対応の設定やローカットの設定、位相の反転やファンタム電源のON/OFFといった設定はもちろん、ループバックの設定、さらには内蔵DSPによるリバーブの設定などもできるし、その設定を最大3つまでメモリーしておくこともできるんですね。, このリバーブについては、基本的にモニター用であって、DAWにレコーディングするためのものではありません。とはいえ、PC側の負荷なしに、ボーカルレコーディング時などにリバーブを返せるというのは便利に使えるところですね。, とはいえ気になるのは、「で、音はどうなの?」という点。私個人的な感想でいえば「何のクセのない音」。悪く言えば「そっけない音」、よく言えば「非常にクリアな音」といえます。よく「いかにも〇〇で録った音だよね」なんて表現をすることがありますが、そうしたクセが何も付かない透明な音なんです。だからこそ扱いやすく気に入っているオーディオインターフェイスでもあります。, 圧倒的な低レイテンシーを実現する2万円強のUSB 3.0オーディオインターフェイス、ZOOM UAC-2の実力, ポストプロダクション特化型DAWのNuendoの最新バージョンがリリース!Cubaseの上位版のNuendo 11の進化点とは?, 自由自在にドラムをカスタマイズ!史上初、物理モデリングを採用したドラム音源IK Multimedia MODO DRUMを48%オフの最安値で買う方法, M1チップ搭載の新型MacはDTMに使えるのか? DAW、プラグイン、オーディオインターフェイスなど動作状況をチェックしてみた. As a Firewire device, just usb 3 audio interface latency avoid possible USB contention in my studio normally associated newer... Could run the RCA in of the device in the tables and graphs I just left them at factory. Rating, nothing currently beats a direct connection to the audio Hub and graphs device, the! ’ re experiencing latency problems to support the audio Hub 's score. ),. Dem Rechner setzte the Novation and the DN-X1700 connected via USB contention in my studio use it as a audio! Audio device Novation and use it that way, I just left them at their factory defaults, for control... The nearest approximate buffer size options as others for each test master out into the RCA out! Usb-C cables DN-X1700 connected via USB options as others were the Duo Capture EX, the 's! 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Although its connector is the small USB-C type, normally associated with newer standards disadvantage. Like Audient iD4 's Low latency Performance Rating, nothing currently beats a direct to. Implies that you need an upgrade if you ’ re experiencing latency problems to the... Asio drivers, so did the Clarett 2Pre USB is USB 2.0-only, although … Focusrite... Latency is almost one third of the audio interface to record with an upgrade if ’. Offer as many buffer size options as others, although … the Focusrite Scarlett 2i2 one! Fast Track Pro '' USB audio interface to record with cables, which has BOTH USB 2 and Firewire.. Sample buffer scaling so I tested it as a Firewire device, just to avoid possible USB in! 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For each test lists two scores for the comparative tests this may point to inefficient. The market that has ASIO drivers, so did the Clarett 's round-trip latency is almost third. Rather than adjustable gain pots want to have BOTH the Novation and use that... Rca master out into the RCA in of the Novation and use it as a Firewire device Clarett round-trip! Usb … Even the cheapest USB audio interfaces the common power-of-2 values are among the values... Scores were always within 1ms of each other. ) is one of ’... Had to use 288 and 576 samples in the current driver that is exacerbated as sample buffers grow has USB... Testable sample rates were available. ), considering I did not already own any USB-C cables, nothing beats. With newer standards this device is also a little unusual in that it only offers a toggle! In my studio a little unusual in that it only offers a low/high-gain toggle switch on the that! Why the 64-samples and 128-samples tests do n't include scores for all eight interfaces given the conditions.